Celebrating women on film and behind the camera, SHOWTIME WOMEN® brings you the most unique, daring, and groundbreaking films, documentaries, and specials from today's aspiring and established female talents.

Out of the Blue

Connor Bates is a young man whose life has stalled out after his release from prison on an assault charge. He now works in a library and spends his free time running and swimming and trying to piece his world back together. One day he meets Marilyn Chambers, the wife of a wealthy businessman, and they begin an intense physical and emotional relationship that quickly escalates into idle talk about her husband's murder.

Men

Harper retreats to the countryside to be alone in the wake of a tragedy, but her unease at the town's leering and uncannily similar men grows into a fully fledged nightmare as her arrival awakens something primal in the forest.

Enough

Working-class waitress Slim (Jennifer Lopez) finds her life transformed when she marries wealthy contractor Mitch (Billy Campbell). She settles into an idyllic suburban life and seems to have everything she wants. Her dream is shattered when she discovers her husband is anything but perfect. His abusive behavior forces her to go on the run, eluding an increasingly obsessive Mitch and his lethal henchman.

Raging Grace

Nothing is as it seems when an undocumented Filipina immigrant takes a job as a caretaker for a terminally ill man in a lavsh home. She and her daughter soon become ensnared by a terrible secret that threatens to tear them apart.

Sound of Violence

A young killer experiences intense pleasure whenever she hears the sound of human pain.

Mercy

An ex-military doctor finds herself in a fight for survival when the Irish mafia seizes control of the hospital at which she works. When her son is taken hostage, she's forced to rely on her battle-hardened past and lethal skills to save the day.

Deadly Cuts

Hair stylists in a working-class Dublin hair salon become accidental vigilantes and community heroes as they take on the gang members and gentrifiers threatening their community.

Sick of Myself

Signe and Thomas are in an unhealthy, competitive relationship, which takes an evil turn when Thomas suddenly breaks through as a contemporary artist. Signe makes an effort to regain her status by creating a person who can attract sympathy.

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