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Hollywood’s brightest stars and movies from the Golden Age of Hollywood.
The Solid Gold Cadillac
When down-to-earth secretary Laura Partridge (Judy Holliday) asks some highly pertinent but embarrassing questions at the stockholders' meeting of a major New York corporation, the company's arrogant board of directors tries to buy her silence with a cushy position in shareholder relations. The scheme backfires, however, when Laura falls in love with the company's gruff CEO (Paul Douglas) and makes herself the leader of an all-out shareholders' revolt.
Run Wild, Run Free
Philip Ransome (Mark Lester) is a young boy who has spent most of his life mute, even though there is nothing wrong with his vocal cords. One day, Philip meets a retiree (John Mills) who understands, even without words, that Philip has a deep connection to nature. Through this new friend, Philip starts training a white colt, forming a deep bond with the animal. When his horse faces grave peril, Philip must find a way to break out of his silence in order to save his beloved companion.
Girls Can Play
A detective investigates the murder of a player on a professional girl's softball team.
Duffy
Half-brothers Stefane (James Fox) and Antony (John Alderton) despise their biological father, callous millionaire Charles Calvert (James Mason). Because Charles refuses to share his wealth with his sons, Stefane and Antony ask hip American thrill-seeker Duffy (James Coburn) to help steal the money they believe is their birthright. When Charles decides to move a large portion of his savings from Morocco to France, Duffy has an opportunity to stage a daring burglary attempt at sea.
Tell It to the Judge
Marsha Meredith (Rosalind Russell) has just been offered a position as a federal judge. Much to her dismay, her nomination is challenged on the grounds that her divorce renders her unsuitable for the courtroom. Desperate to win the position, Marsha arranges a fake marriage to Alexander (Gig Young), even though she still has feelings for Peter (Robert Cummings), her ex-husband. Marsha and Alexander -- and Marsha and Peter -- soon find themselves in a series of compromising situations.
Loss of Innocence
Left alone because of their mother's sudden hospitalization during a vacation in France, four British children have to fend for themselves. They stay at a hotel, where, despite the reticence of owner Madame Zisi (Danielle Darrieux), they are befriended by her lover, Eliot (Kenneth More). Joss (Susannah York), the eldest of the children, runs afoul of Madame Zisi, who thinks Eliot is spending too much time with her and causes a scene. Robbed of Eliot's attention, Joss denounces him to the police.
Divorce American Style
Suburban couple Richard Harmon (Dick Van Dyke) and his wife, Barbara (Debbie Reynolds), have exhausted their patience in their marriage. Bored and no closer to fixing their problems through counseling, the couple opts to divorce, and the proceeding tug-of-war over children, money and possessions reveals that maintaining their marriage was far easier than ending it. Along the way are attempts for both at new relationships, with the subject of alimony playing a hidden role in matters.
There's Always a Woman
Forced to close his detective agency due to lack of business, Bill Reardon (Melvyn Douglas) returns to his former work as a lawyer, only to have his wife, Sally (Joan Blondell), successfully resurrect the agency. Wealthy socialite Lola Fraser (Mary Astor) hires Sally to spy on her husband, Walter. Sally's investigation, which Bill joins, uncovers a complex web around Walter. When Walter is murdered, Sally's information becomes essential to the police, the suspect -- and the killer.
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